Strange Darling review: A twisted romance that upends expectations
There are no safe words to describe JT Mollner’s twisted hookup of dating etiquette and serial killer thrill-seeking
There are no safe words to describe JT Mollner’s twisted hookup of dating etiquette and serial killer thrill-seeking
Cinema Coralie Fargeat once again reworks film history with rageful indignation with The Substance.
Cinema From near-future romances and post-apocalyptic stories, through to generational horrors and, erm, Amy Adams turning into a dog, check out the genre picks for this year’s London Film Festival.
Cinema Matt Smith and Morfydd Clark star in Daniel Kokotajlo’s atmospheric Yorkshire-set folk horror. Read our review for Starve Acre…
Mitzi Peirone’s serial-killing psychodrama pits a damaged Catholic schoolgirl against small-town male toxicity
E.L. Katz’s post-apocalyptic survival thriller pits a determined young woman against a cult community of believers
Jon Spira’s documentary feature, The Life and Deaths of Christopher Lee brings back to life an actor who would happily have seen his horror past stay buried.
Marc Coleman’s horror comedy pits four ageing male strippers against an even older witch who wants their manhood.
Joy Wilkinson’s impressive feature debut is all at once city symphony, mobile romance and tense urban psychothriller
André Øvredal’s fatalistic oceanic horror revamps Stoker’s seafaring slaughter for a multiracial future.
Josephine Rose’s mediated sci-fi feature debut shows an online network of friends struggling to comprehend alien contact from the ground up
Parker Brennon’s LGBTQ ghost story collection allegorises a young black queer woman’s embrace of the difference running in her family
Cinema Jeff Daniel Phillips noirish monster movie smuggles recurring destinies and recidivist tendencies across the border.
Cinema Hooked on killing: Buddy Cooper’s belated self-referential slasher requel satirises its own remaking, while taking out its own cast and crew
In Brian Hanson’s science fiction feature, an alien invasion resonates with the Covid lockdown while intersecting with feminism.
Chris Stuckmann’s occult horror finds missing persons, maternal anxieties and madness between its multi-mediated textures.
John Farrelly’s Irish-language ghost story is an incestuous merger of gothic psychodrama and perverted coming of age.
Ahead of its UK Premiere at FrightFest, we speak to 7 Keys writer and director Joy Wilkinson about her London-based thriller.
Ahead of its UK Premiere at FrightFest, we speak to 7 Keys star Emma McDonald about working on the toxic London-based thriller…
Cinema Joanne Mitchell’s mortuary psychodrama disinters madness from mourning and poetry from perversion.