Alexandre Aja will direct an interactive horror film for Amblin
Chucky slashes his way into a high-tech new world in the Child’s Play remake
Patrick Brice and Sam Bain team up for bloody workplace satire Corporate Animals
Octavia Spencer is having the best time in the title role of Tate Taylor’s twisted, twisty Ma
Robert Pattinson and Willem Dafoe star in The Lighthouse, the new horror from the director of The Witch
Under The Shadow’s Babak Anvari plunges Armie Hammer and Dakota Johnson into body horror hell in Wounds
First love lives on in Alice Furtado’s sweaty and stylish teenage zombie film Sick Sick Sick
Nothing ever really dies in Derry in the deeply creepy first trailer for IT Chapter Two
The Conjuring-verse team is taking on Stephen King’s vampire masterpiece Salem’s Lot
We talk to the excellent Amy Seimetz about why Pet Sematary gets under your skin and why you can get weird in genre
Is horror throwback Hell Fest a carnival of chills or a damp squib?
We talk to Pet Sematary’s Kevin Kölsch and Dennis Widmyer about changes, casting and the key to a great Stephen King adaptation
The upcoming Child’s Play reboot has made a great choice for the voice of Chucky
The story of Norwegian band Mayhem is turned into a stomach-turning and intelligent horror film with Lords Of Chaos
We talk to genre legend Larry Fessenden about bringing his personal take on Frankenstein to the big screen
Jordan Peele follows Get Out with an ambitious and topical horror rollercoaster
Does horror The Prodigy push beyond the standard spooky kid template?
Horror veteran Travis Stevens’ directorial debut Girl On The Third Floor pits a weak-willed man against a house with a history
A married couple faces each other while barricaded in their flat during a zombie apocalypse in Zoo
Jesse Thomas Cook and Matt Wiele’s The Hoard gives reality TV and found footage a hilarious makeover
Genre-leaping coming-of-ager Freaks concerns a very unusual family’s efforts to survive in a hostile world
Park Hoon-Jung’s The Witch: Part 1 tells a bloody Superman-like tale of a mysterious young foundling coming of age
Søren Juul Petersen’s debut Finale uses slasher/torture porn tropes to put paying viewers in their (uncomfortable) place
Lawrie Brewster’s gothic mystery romance Automata is layered, tragic and haunting
Perry Blackshear’s The Siren, an eerie tale of love and loss, finds a monstrous littoral between the aquatic and the erotic.
Monster movie Giant Killer Ant may be playing a familiar tune, but is as unstoppable as an ageing rock band
Adrián García Bogliano’s magnetically mesmeric ‘cult’ movie Black Circle will mess with your head.
Jack McHenry’s debut Here Comes Hell is knowingly backward-looking 1930s-style castle horror
Billy Senese’s The Dead Center uses a clinical setting for a creepy collision of the psychological and the supernatural
In Danishka’s Esterhazy’s not-quite dystopia Level 16, women must obey and beauty is only skin deep