Cinema The Hoard first look review: FrightFest Glasgow 2019
Jesse Thomas Cook and Matt Wiele’s The Hoard gives reality TV and found footage a hilarious makeover
Cinema 
Cinema Freaks first look review: FrightFest Glasgow 2019
Genre-leaping coming-of-ager Freaks concerns a very unusual family’s efforts to survive in a hostile world
Cinema The Witch: Part 1 – The Subversion first look review: FrightFest Glasgow 2019
Park Hoon-Jung’s The Witch: Part 1 tells a bloody Superman-like tale of a mysterious young foundling coming of age
Cinema Finale first look review: Glasgow FrightFest 2019
Søren Juul Petersen’s debut Finale uses slasher/torture porn tropes to put paying viewers in their (uncomfortable) place
Cinema Automata first look review: FrightFest Glasgow 2019
Lawrie Brewster’s gothic mystery romance Automata is layered, tragic and haunting
Cinema The Siren (The Rusalka) first look review: FrightFest Glasgow 2019
Perry Blackshear’s The Siren, an eerie tale of love and loss, finds a monstrous littoral between the aquatic and the erotic.
Cinema Giant Killer Ants first look review: FrightFest Glasgow 2019
Monster movie Giant Killer Ant may be playing a familiar tune, but is as unstoppable as an ageing rock band
Black Circle first look review: FrightFest Glasgow 2019
Adrián García Bogliano’s magnetically mesmeric ‘cult’ movie Black Circle will mess with your head.
Cinema Here Comes Hell first look review: FrightFest Glasgow 2019
Jack McHenry’s debut Here Comes Hell is knowingly backward-looking 1930s-style castle horror
Cinema The Dead Center first look review: FrightFest Glasgow 2019
Billy Senese’s The Dead Center uses a clinical setting for a creepy collision of the psychological and the supernatural
Cinema Level 16 first look review: FrightFest Glasgow 2019
In Danishka’s Esterhazy’s not-quite dystopia Level 16, women must obey and beauty is only skin deep
Cinema The Dead Center director Billy Senese on his mind-bending horror
We talk to writer-director Billy Senese about his twisting psychological horror The Dead Center ahead of FrightFest Glasgow
Cinema Arrow Video FrightFest 2018 round-up: Book Of Monsters, Heretiks, Open 24 Hours and more
Here are our reviews of Final Stop, The Most Assassinated Woman In The World and more from FrightFest
Cinema Ghost Mask: Scar first look review Arrow Video FrightFest 2018
Two sisters, a plastic surgeon and a mystery make for an unpredictable chiller in Takeshi Sone’s Ghost Mask: Scar
Cinema Terrified first look review Arrow Video FrightFest 2018
A whole neighbourhood is haunted in Demián Rugna’s unpredictable shocker Terrified
Cinema Through a glass darkly: Cult of Terror, Wolfman’s Got Nards, FrightFest: Beneath The Dark Heart of Cinema at Arrow Video FrightFest 2018
Three feature documentaries about horror fans and the niches where they worship
Cinema The Golem first look review Arrow Video FrightFest 2018
The Paz brothers’ mythic oater/monster mash-up The Golem is a parable of Israel’s beleaguered, cursed status
Cinema Climax first look review Arrow Video FrightFest 2018
Gaspar Noé’s fifth feature Climax is a beautifully choreographed bad trip, with one hell of a comedown
Black Site first look review Arrow Video FrightFest 2018
Tom Paton’s Lovecraftian action sci-fi Black Site is a mashed-up homage to Carpenter and the Eighties.
Cinema He’s Out There first look review Arrow Video FrightFest 2018
Yvonne Strahovski fights off a masked home invader in routine cabin in the woods horror He’s Out There
Cinema The Tokoloshe first look review Arrow Video FrightFest 2018
Societal evils and a malevolent spirit prey on the vulnerable in South African horror The Tokoloshe
Cinema Dead Night first look review Arrow Video FrightFest 2018
There are two possible explanations for blood-soaked carnage in inventive snowbound horror Dead Night
Cinema The Night Sitter first look review Arrow Video FrightFest 2018
Comedy horror The Night Sitter is a Christmas-lit cracker of mothers real, metaphorical and malevolently supernatural
Videoman first look review Arrow Video FrightFest 2018
Kristian A. Söderström’s feature debut Videoman is a bittersweetly backward-looking romance with a giallo-esque flavour
Cinema Bodied first look review Arrow Video FrightFest 2018
Joseph Kahn’s battle rap comedy Bodied has serious things to say about the power of language in the arena of offence
Cinema Hammer Horror: The Warner Bros Years first look review Arrow Video FrightFest 2018
Marcus Hearn’s documentary Hammer Horror: The Warner Bros Years traces the decline of an old horror production house in changing times
Cinema White Chamber first look review Arrow Video FrightFest 2018
Paul Raschid accommodates war’s horrific paradoxes in a plain white room
Cinema Luciferina first look review Arrow Video FrightFest 2018
Gonzalo Calzada’s film is the first in a devilish saga of histories reborn, where Shamanic meets Satanic
Cinema Incident In A Ghostland first look review Arrow Video FrightFest 2018
Pascal Laugier returns with grim, brutal and structurally tricksy horror Incident In A Ghostland
Cinema Ravers first look review Arrow Video FrightFest 2018
Bernhard Pucher’s comedy horror Ravers pits a clean-freak journalist against contaminated, mutant dancers