An asteroid hurtles toward Earth, unleashing an ominous object that smashes through the window of a dingy New York apartment building. Here, an incy wincy spider emerges that is eventually discovered by unruly 12-year-old Charlotte (Alyla Browne), who pops it in a jar, names it ‘Sting’ and keeps it as a pet unbeknownst to her struggling comic-book artist stepfather Ethan (Ryan Corr) and mother Heather (Penelope Mitchell). As the increasingly sized spider goes on secret nighttime prowls of the building to feed its growing appetite for human flesh, the remaining haphazard residents slowly realise that they\u2019re on the menu, too, and only Charlotte has the aptitude to stop it.<\/p>\n
While low-budget creepy crawly films have a somewhat throwaway reputation, every so often, one comes along (hello, Arachnophobia<\/i><\/strong>) that surprises in interesting ways. Kiah Roache-Turner\u2019s Sting<\/i><\/strong>\u00a0is of the latter category. This sharply self-evident, delightfully gory and frequently hilarious spider shocker from the director of Wyrmwood<\/i><\/strong> keeps events engrossing thanks to an array of quirky characters, appropriately claustrophobic production design, and an impressively tangible (W\u0113t\u0101 Workship-configured) animatronic spidey.<\/p>\n Brad Shield\u2019s prowling camerawork around the confined, one-location setting helps keep events thoughtfully focused while maintaining gripping momentum. However, occasionally, the dysfunctional family drama antics unevenly collide with the otherwise comedic tone and the roll-call of references to classics of the genre (Little Shop of Horrors<\/i>, Alien<\/i>, <\/strong>Aliens, Gremlins<\/strong>, <\/i>and Phillip Kaufman\u2019s Invasion of the Body Snatchers<\/strong>, <\/i>to name a few) <\/i>threaten to derail Sting<\/i>\u2019s<\/strong> identity.<\/p>\n Nevertheless, largely thanks to the triumphantly committed (primarily Australian) cast and creatively goosebump-inducing tone, Sting<\/i><\/strong>\u00a0just about emerges intact. Still, one wonders what David Cronenberg would have made with the content \u2014\u00a0the titular creature no doubt a more overtly ravenous offspring of Charlotte\u2019s adolescent rage in a twisted contemporary alternative to the director\u2019s chilling classic The Brood<\/i><\/strong>.<\/p>\n