Howling Village (Inunaki-mura): Fantasporto 2020 review
Takashi Shimizu’s latest J-horror finds different ways of unsealing a submerged past and resurrecting a dead genre.
Takashi Shimizu’s latest J-horror finds different ways of unsealing a submerged past and resurrecting a dead genre.
Ilya S. Maksimov’s psychopompic suspenser offers a hallucinatory confusion of ghosts, serial killings, clairvoyance and madness.
David Fowler’s debut is a cult film par excellence, dismantling the viewer’s grip on reality.