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Twilight

by James Rundle. 1 comment
What is our obsession with paranormal romance?
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by Samuel Roberts. 1 comment
We direct optimism at the supernatural saga.
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by James Rundle. 1 comment
Taking a look at the newest director in the Twilight franchise.
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by James Rundle. 1 comment
Summit mulls a two-part ending to the franchise.
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by James Rundle. 0 comments
In which Robert Pattinson looks grumpy, Dakota Fanning looks creepy, and Jackson Rathbone imitates The Rock…
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by Shaun Davis. 1 comment
The Twilight author sends her sci-fi novel to the big screen
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by Shaun Davis. 0 comments
Catherine Hardwicke to adapt the Grimm tale.
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by James Rundle. 0 comments
Film scheduled for June 2010 release.
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by Michael O'Connor. 0 comments
Michael O’Connor brings you a round-up of the week’s main headlines.
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by James Rundle. 0 comments
Both parties release statements over firing of Lefevre.
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by Shaun Davis. 0 comments
Terminator Salvation star to feature in third Twilight movie.
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by Shaun Davis. 0 comments
Production Weekly’s Twitter page has announced that the third instalment in the Twilight universe, Eclipse, will begin shooting on 17 August 2009. The shoot will run for a couple of months and is set to wrap on 31 October (that’s right, Halloween) of the same year.
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by James Rundle. 0 comments
The trailer for the upcoming sequel The Twilight Saga: New Moon has appeared on the internet. Police are still looking for Robert Pattinson’s missing personality.
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by Alasdair Morton. 0 comments
Catherine Hardwicke’s Twilight hit the number one spot in the US for its opening weekend and scored the biggest opening ever for a film with a female director
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by Alasdair Morton. 0 comments
Twilight, the forthcoming adaptation of Stephenie Meyer’s bestselling young adult fantasy novel, has already sold out almost 2,000 screenings in the US ahead of its release this Friday, Variety has reported
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by James Rundle. 0 comments
Well, when you know you have a hit, you may as well keep the ball rolling
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by Alasdair Morton. 0 comments
Reshoots never usually bode well for a movie, more often than not they’re a sign that the film, as it stands, doesn’t work
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