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Romero’s Dead trilogy was always marked with social commentary, itself commented on much by the media. Night Of The Living Dead glanced on race relations in the United States, Dawn Of The Dead was a send-up of American materialism, and the final act, Day Of The Dead, was a thinly-veiled comment on the military mindset, not unlike Romero’s previous film, The Crazies.
In the third part of the story, the dead have overwhelmed civilisation and outnumber human survivors by a factor of several hundred thousand to one. A group of scientists and soldiers have holed up in a bunker where they attempt to survive the apocalypse, experimenting on zombies with one notable success in a quasi-intelligent specimen named Bub.
The concept behind Day Of The Dead is its strongest aspect, as well as the infamous opening sequence where the female lead is grabbed by arms that burst through the wall behind her. The rest of the film, while decent enough, fails to retain the presence that these aspects deliver. The performances are woefully laughable, to the point of almost being satirical in themselves, while the production value isn’t exactly something to write home about. A clear exception, of course, is the makeup work of Tom Savini, which remains at an incredibly high standard throughout the film’s 97-minute runtime.
The film is harrowing at points, with the smart zombie Bub’s reaction to Ode To Joy being one of those moments, as well as the underground sequences. Romero’s zombies, arguably, are still the most effective by virtue of their unstoppable nature. However, the social commentary is patchy, and while the nature of the film as more of a character study is laudable, when taken in context with the other two films in the series, it’s slightly disjointed. It’s easy to see why it’s divided fans, but equally, it’s easy to see why it’s Romero’s favourite out of the three. For us, it’s a fun zombie film with a few iconic sequences, a small amount of post-Vietnam angst and some fantastic prosthetic work, but not much more.
Day Of The Dead is high-concept, but budget execution, to its tremendous detriment. Still, it’s a worthy entry in the series.
Day Of The Dead
Director: George A Romero
Starring: Joe Pilato, Lori Cardille, Richard Alexander
Certificate: 18
Price: £24.99
Released: 29 March 2010
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Oh man, I gotta get this. Day of the Dead is my favorite Dead movie as well. It’s not only a clever character study, it’s also eye-candy. The music is awesome as well, really haunting eighties synths.
I remember the Night Of The Living Dead remake being very good, especially Tony Todd in the lead role, but I don’t remember Dawn or Day very much. Was Dawn the one in the shopping mall and radio station? And which one was it where the zombie gets his head cut off by the helicopter blades? Looks like I am going to have to hunt down these classic films on DVD… :)
That ain’t no, I say that ain’t no Blu-ray review, Jim! It’s a movie review!
We don’t actually comment on picture quality or sound for BD reviews. But if you’re interested, the sound isn’t really all that boosted while the picture, despite having slightly finer detail, isn’t very impressive as a BD. There is a lot of DRM and grain, while the artefacting in points isn’t exactly uplifting. A solid three across the board, nothing to write home about.